Archive for the 'Music' Category

Everyone Wants a Phish Reunion…

… but most of us don’t want another post-hiatus Phish with only a handful of decent shows in a 3 year period.  So to help the band sustain their reunion, Dan Greenhaus over at Jambands.com has come up with a small list of ideas that could help the band sustain their reunion.  Rather than list each one, I’m going to quote the best ideas here.

2) Retire or reduce the appearance of many “old” songs - The great irony of this suggestion is that the old songs are what made Phish, but the reality is that at the time, the old songs is part of the reason the band felt stale. YEM, for all Trey’s longing, has been played at 39% of Phish shows for a total of 472 times. That’s not surprising but it’s also a reason to remove it a bit from the rotation, even an entire tour. Doing so would free up plenty of room for the aforementioned new album, as well as underplayed songs including those from Undermind which never got a chance to grow in the live setting, if they were even played at all.

This idea, in my opinion is the best.  I have been to only 9 shows, randomly picked, between 1997 and 2004.  During those 9 shows, I head a couple of songs played multiple times, most specifically “Tweezer” and “Tweezer Reprise” at 5 times each.  While YEM might be their most overplayed, I actually never heard it.  The one song off Undermind I wish they played was the title track, “Undermind.”  Trey did play it with one of his solo bands, but never as Phish.  They should play the new songs a lot, but also play the lesser played older songs.  Make YEM the next “Destiny Unbound” or “Fluffhead.”

4) Shorter Tours - Nobody wants to put anyone’s health in jeopardy and if three lengthy tours a year does that, then cut it out. Done and done. There’s no reason the group cannot jump out on the road for less than a month, play a bunch of shows, and then go home for a few months before heading back out again. The days of 100 shows a year are long, long gone and the band should plan accordingly. There is no reason to believe they can’t work back up to longer tours. Hell, bands with members way, way older go on longer tours and play more dates than Phish. But at the outset, take your time and feel things out. Get comfortable, and if it’s working, hit the road for three or six months.

5) Multi-night runs - I can only imagine what a toll it takes on ones psyche to be constantly on the move. Musician after musician has cited the constant touring and associated lifestyle as being the main culprit for depression, drug use or whatever. … Ignoring the obvious environment benefits of this strategy, it would go a long way to reducing the strain on both band and crew.

These next two should be put together in my opinion.  Shorter tours concentrating on a certain section of the country to avoid long travel and the wear and tear of travel and multi-night runs at certain locations on each of those tours.  To go along with this, they should be playing venues they never played or thought of playing before.  How many times have they skipped Providence because they went to Hartford, Worcester, or Boston instead (though I would do Boston and Providence, but I’d skip Hartford and Worcester to play Providence)?  They could do a short fall tour in the Northeast with 12 dates, a spring tour out west for another 12 dates, and maybe a longer summer tour.  They should skip their own festivals because those are quite draining, but perhaps play two or three of the other multi-band festivals without headlining them to keep sets shorter.  That will allow them the ability to join other bands on stage.  One of the things they do best is collaborate.

6) Play a few acoustic shows - People have been knocking Phish for years for their “poor” lyrics and songs but the truth is that at any show you go to, the crowd is singing every word. No one is accusing Tom Marshall of being Bob Dylan, but everyone knows every word to “Sample in a Jar.” … If nothing else, it would be interesting and exciting and even if it doesn’t work, it’s something new.

I like this idea, but I think rather than an acoustic show, do an acoustic set at each show.  I don’t think an entire show all acoustic would work for them, but a single set would be easily feasible.  It brings something new to the table.

7) Play one set and have an opening act - Perhaps a controversial idea, at least to those who want the most Phish they can get on any single night, playing one set is still something to consider, at least for a little while. To begin with, the list of bands that would want to open for Phish would obviously be quite long and having a hungry band perform right before you, out to prove to all the Phish fans that they are the real deal, would have to light a fire under Phish. With respect to playing one set, now you send Phish out there with 90 minutes to play, straight through, and you could get a very intense set of music that would cut down on the fat (”Albuquerque” anyone?) and focus in on the songs you really want to hear.

I’m on the fence with this one.  On one hand, it would be good for the band and allow them to concentrate only on certain songs and not have to worry about filling two sets.  On the other hand, I like two sets of music.  It makes each show a musical journey.  The biggest benefit of this idea is what it will do for the opening bands.  Phish has always been all about bringing music to the forefront and helping out smaller bands.  This will do just that.  While I would be willing to bet that the majority of each shows attendees skip the opener to drink/smoke/whatever in the lots, a good number will check it out and possibly discover a new band to follow.  The Phish set also doesn’t have to be limited to 90 minutes.  It could be a two hour set (I’ve seen this done), or at least work up to a two hour set.  This will also allow for some collaboration between Phish and their opener.  Dave Matthews has always had an opening act for as long as I’ve known.  Some were good, others were bad, but it works for them (don’t flame me for bringing Dave into an article about Phish).

Anyway, the article is worth a read.  They’re all ideas the band should consider.  They actually have done some of them, such as shorter tours and recording an album of new songs before going on tour (see Round Room or Undermind, recorded before the return from hiatus and before the final tour, respectively).

I do have one idea to add… ignore the side projects until Phish has been refined enough to sustain itself again.

Regardless of what happens, I do not want a Phish reunion to be a let down.  It’s not worth coming back if they’re not going to make a real effort.

Update: George posted a great link in the comments.  Page put a letter up on Phish.com.  It’s definitely worth a read.  The end of it has the best suggestion for the fans… don’t read too much into rumors.

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ResNet 2008: Last 2-3 Days

I’m not good with titles, but that really sums up what this is about.  I wrote about Friday already, now here’s Saturday through today (at least so far).

Saturday was the PDS sessions.  I learned about my DISC profile, which was a very worthwhile session.  It actually gave me some insight into what kind of person I am and what kind of manager I am.  It should help me quite a bit at work, once I go through and read the information more closely of course.  The second session wasn’t quite what I thought it would be and I wish I had signed up for the session on dealing with difficult people (since my job is 90% dealing with difficult people).  It was about balancing your life, which is something I think I do pretty well already.  While I might check my work email quite a bit at home when I’m not on vacation, it never gets in the way of enjoying my time away from the office.  So that session wasn’t really worth my time.  I was thinking it was more about balancing everything at work, which is something I could use some help with.  Maybe next year they’ll have something like that (I should suggest it).

Saturday night began the conference.  There was an opening reception with a lot of appetizers that were all really good.  There were some desserts and some really good juices, a lemonade made with some kind of mint and an iced tea with something in it that I just couldn’t figure out.  There was also a large spider, which I can’t include a pic of because I used my phone to take it and I can’t send picture messages from it up here.  During the reception, they had arranged for an Irish dance school to give us a little show.  The kids were young, but they could dance.  It was like a little Michael Flatley dancing with his people.  It was fun, but I forgot my camera and my phone camera just couldn’t cut it.

Following the reception, I went downtown with a bunch of people to a bar called Dolan’s Pub.  They had a live band called Barnacle and some pretty good local beer from Pump House in Moncton, NB.  The band played all covers, but it was a great mix of everything, including Rolling Stones, Tom Petty, Great Big Sea (a Canadian band from Newfoundland), Sublime, Steve Miller, and a bunch of American 80’s music.  People were dancing.  Now there was a bachelorette party there and they wanted the bachelorette to do some crazy things.  I won’t go into details, but let’s just say there was some undergarment removal and a table dance involved… at our table.  I didn’t get back until 1:30 or so.

The next day was the keynote.  Stephen Downes gave the speech.  It was a great speech.  The guy looks just like David Crosby crossed with Arlo Guthrie.  He was a riot… at least for the first half.  He had this neat comment system on his website that he showed us.  It would display comments for 10 seconds and then move to the next one.  We had some fun with it, but some people were a little mean.  The best comment was “Did you play in a band with Stephen Stills and Graham Nash?”  The second portion of his speech was about Web 2.0.  I have already been to 2 or 3 sessions on that alone and this just wasn’t necessary for a bunch of people who are likely intimately familiar with it.  The first portion was about new ways of using the web and what young people expect of the web and internet services nowadays.

There were also 2 presentation sessions.  I attended one which was ultimately about a re-org of the department, but really hit on some good points on how to make the department great, including losing the various groups within a department and getting it to work more as a single entity than as a bunch of smaller groups.  The second one I attended was about making the Helpdesk better, but again was more about a Helpdesk re-org than what I thought it would entail, as the description mentioned a discussion of hiring and training and those were only minor points.

That was followed by the Geek Olympics.  I ended up on a team again this year and our team won (I did it last year and we came in second by just a hair)!  We had people from Stony Brook University on Long Island, Cal State in Chico, and NC State on our team.

This morning was the presentation I was working on with Sean Ward of Bowling Green State University in Ohio.  It was called “The Pros and Cons of Computer Requirements (or lack thereof)”.  It started out as a panel of 4 and ended up just being the 2 of us.  We went through our presentation in about half an hour or so, but there was a lot of discussion, which we hoped would happen.  It ended up being a pretty good presentation if you ask me.  I then went to a presentation about ConPortal, an open source web-based scheduling and time clock system originally created at Pomona College, but added to by Bucknell University.  It’s something I hope to implement, perhaps this year, though maybe next after I start requiring training (unless I require training towards the end of Winter Break).

The rest of today was left to do whatever.  I went for a walk with Sean and other guy from BGSU downtown, over a cool foot bridge that goes over the St. John river (it used to be a railroad bridge), and to a liquor store to buy some beer.  I didn’t find Péché Mortel as I had hoped, but they did have the whole Picaroons lineup.  I bought a bottle of each of the six beers they had from Picaroons and will be taking them back home with me.  The walk totaled about 7 miles, including 1.6 miles carrying the beer (I’m not going to try to put that in kilometers, even though that’s the official measurement here in Canada).

Now is time for rest and relaxation.  As we’re on our own for dinner, I’ll be headed back downtown, but my feet hurt and I need a break.

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Phish Reunion?

The interwebs have been abound with rumors since Trey’s latest interview had him saying how he would love nothing more than to play “You Enjoy Myself” for the rest of his life with the other 3 guys from Phish.

Tom Marshall, Trey’s childhood friend and songwriting partner, also said in another interview that he and Trey have been writing songs together again and have about 15 complete.  He doesn’t know if they’ll be Phish songs or used for some other project.

There’s a new rumor (and this is likely just that) that Phish will definitely be reuniting and there will be a new album produced by Steve Lillywhite (he produced Billy Breathes and those famous Dave Matthews Band Lillywhite sessions).

Anyway, as much as I would absolutely love for Phish to be back (and I have no doubt they’ll be back), I don’t want them to suck.  They didn’t have too many great highlights post-hiatus and it would just be super sad to see them come back to be exactly what Trey said he didn’t want them to be… caricatures of themselves (and honestly, its sounding like that’s what’s happening right now, though I hope I’m wrong).  However, August 15 will be exactly 5 years since their breakup began, and many on the now defunct People for a Clearer Phish (the best Phish discussion list of their time) had said they’ll be back for a 5 year “reunion”.

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Capitol Hill, The Smart Songs, and The Press Project

One of my former student employees told me his band, Capitol Hill (you didn’t think I was talking politics, did you?), was going to be playing at The Living Room last night. I decided to check it out since I had been meaning to see them a few times. They’re a hip hop act with a live band. There are 2 vocalists/rappers (they’re the ones who used to work for me) and a 4 piece band (drum, sax, guitar, bass). I was impressed. They played a mix of originals and covers, and some of the covers were just samples from songs. They played 5 or 6 songs during their short 45 minute set, but they had the small crowd, which was mainly there to see the second band, on their feet and groovin’.

Shoeless Jeff and Scott Free, the 2 rappers, are actually making an album of educational songs for children. You can check that project out at The Smart Songs. The album should be released in July and will be sold through Highlights magazine.

Following their set at The Living Room, we headed to Tazza Caffe to check out The Press Project, a similar hip hop/soul/funk/R&B group from Boston. I was pretty impressed with them. They had Tazza movin’ and groovin’. Their songs were a little smoother and more groove oriented than Capitol Hill. Opening for them was Iveoka, who has a beautiful voice, singing soul and R&B.  They’re playing next Friday at the Milky Way in Jamaica Plain.

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Newport Folk Festival

It’s official… I’m going to the Newport Folk Festival this year.  I have wanted to go in the past (basically since I moved to RI), but never really had the money.  Thanks to the economic stupidity of our president, I’ll be using my stimulus check (or part of it) to go this year.  The reasons I wanted to go this year really bad is Jimmy Buffett, Levon Helm (of The Band), Trey Anastasio (solo acoustic, supposedly), and the Black Crowes.  If they’re all acoustic, I’ll totally cream my pants.

I love Trey and I love him even more when he’s acoustic.  Unfortunately, I didn’t get to see him on his solo tour doing the acoustic sets.  I have some mp3’s of him on tour in 1999 playing acoustic and it’s totally amazing.  Perhaps I’ll post a couple when I get home (it’s legal, he allows taping and distributing his shows for free, and I don’t think these are soundboard).

I love Buffett, and this should be a bit more intimate than seeing him last year at Gillette Stadium with a crowd of something like 50-60,000.  If he’s playing acoustic and going back to his roots, well, even better.

I’ve always wanted to see the Black Crowes.  I don’t have their new album, but supposedly, it’s really good.  Chris Robinson’s voice is probably the greatest voice in rock ‘n’ roll.

Finally… Levon Helm… what more can I say?  He’s a legend.  The Band is probably (aside from Phish) my favorite band of all time.  Their sound is timeless.  And even though Robbie Robertson wrote most of the stuff, Levon is awesome.

These 4 don’t even include the others playing… Son Volt, Jakob Dylan (Bob’s son, of Wallflowers fame), Richie Havens, Cowboy Junkies, Stephen and Damian Marley (a different Bob’s sons), and others that I’ve never heard of, but some that one of my student employees (though I suppose she’s now a former student employee) was excited about.  Regardless, I’m excited.  This will be my first music festival ever (at least that I actually get into, unless Newport becomes a mud pit like Newport, VT did for my last attempt at a music festival).  It may not include camping, but a bunch of great bands and musicians on a couple different stages… it should be a great time.  The nice thing about this one is that they allow you to come and go as you please.  If no one interesting in playing, we’ll tour Newport.

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Super Mario Theme on Wine Bottles

I saw this today on Boing Boing. I thought it was one of the most amazing things I have seen on the internet. It’s the Super Mario Bros. theme song played with liquid filled wine bottles and a remote control car.


Mario Theme Played with RC Car and Bottles - Watch more free videos

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Blues and Beer at Tazza

I went to Tazza Caffe last night to check out a blues band whose members include a Nikki’s regular.  Unfortunately, I can’t recall the name of the band.  Anyway, Tazza has changed their beer selection quite a bit.  The last time I was there, probably last summer, the best thing on their beer menu was Sierra Nevada Pale Ale or Sam Adams Boston Lager.  They now have Dogfish Head 90 Min. IPA, Ommegang Rare Vos, Samuel Smith Taddy Porter, Smuttynose Old Brown Dog, and a couple others I can’t remember.  I was quite impressed, though they obviously didn’t inform any of their staff about the beer or proper glassware or even that it shouldn’t be consumed from the bottle period.  In fact, when I changed my beer from the Ommegang to the 90 Min, I was just given the bottle.  So I rinsed my glass with the water that was on the table and used the same glass (a regular pint glass).

The band was really good playing a mix of some covers and some originals.  They were funny at times with some banter and one of their songs was hilarious.  It was a great night out.  They’re playing Tazza again next Tuesday with some others.  They’ll be doing an acoustic set.

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Pavement - Slanted & Enchanted: Luxe & Reduxe

So I picked up an album last weekend that I hadn’t written about.  It’s Pavement’s Slanted & Enchanted, but a re-release of it with lots of extras.  I’m not normally a big indie/punk/underground fan, but this is pretty good.  I’ll admit that the reason I picked up an album by Pavement is because Trey Anastasio (of Phish fame) has said they’re his favorite band.  They’re a band from California playing mostly indie/alternative/punk music.  They don’t exist anymore, but they were popular (at least in that scene) in the 90’s.

Since I know nothing about that style of music, I can’t say they’re one of the best or great or anything, but I like the album.  It reminds me a lot of Modest Mouse (but not overly like Good New for People Who Love Bad News, that one’s pretty tame).

Anyway, since they’re a lesser known band, I thought I’d give them some press.  If you like that style of music, you’d probably love Pavement.

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Wal-Mart vs. The Record Labels

Anyone who knows me knows I’m old school and still buy music CDs (my collection at the time of this article is about 415 albums, some double, some triple, and some boxed sets, and that doesn’t include burned bootlegs, which is probably another 200-300 discs) and not digital music files (such as MP3s).  The reason I do this is because I want to be able to do what I want with my music, I want the higher quality of the CD rather than a compressed audio file, and, honestly, I like the liner notes and being able to look at a physical collection of music.  However, I don’t buy CDs very often anymore because they’re expensive.  At $15-18 for a single CD, it’s not cheap (granted, I spend that amount on beer every week, but I like my beer).  While I prefer new CDs (they’re nice, no scratches, and the whole package is in good condition), I have started buying a lot of used CDs from Newbury Comics.  They’re a lot cheaper (especially the super cheap section at the one in the Providence Place Mall where they’re $3 each) and the money doesn’t go to the record companies, preventing me from feeling like I should boycott major label music (which I do on the new CDs I buy.  Wal-Mart (of all retailers) is looking to change all of this.

Wal-Mart is the largest retailer of music in the country, accounting for about 20% of major label record sales.  They currently sell CDs at a loss because they want people in their stores buying other things (disclaimer: I think Wal-Mart’s business practices are unethical and the company should be boycotted, which I do).  They know people don’t want to spend more than $10 on a CD, and they’re 100% correct.  Why do you think people have turned to illegally downloading music?  The answer is simple - they can’t afford to buy it.  Wal-Mart knows this and has supposedly threatened to take music off their shelves and replace it with something they can make money on.  The labels know this will hurt them immensely and will do what Wal-Mart wants, but not without a fight.

This is all from an article in Rolling Stone entitled (you guessed it) “Wal-Mart wants $10 CDs“.  The article is definitely worth a read for a little insight into the music industry and why music costs what it does.  I’m all for lowering the price of the CD, but not at the expense of the artist… instead at the expense of the label.  Here’s a breakdown of where the money goes from a $15.99 CD taken from that article:

This breakdown of the cost of a typical major-label release by the independent market-research firm Almighty Institute of Music Retail shows where the money goes for a new album with a list price of $15.99.

$0.17 Musicians’ unions
$0.80 Packaging/manufacturing
$0.82 Publishing royalties
$0.80 Retail profit
$0.90 Distribution
$1.60 Artists’ royalties
$1.70 Label profit
$2.40 Marketing/promotion
$2.91 Label overhead
$3.89 Retail overhead

As you can see, the actual cost of making the CD itself is minuscule.  The artists’ share is only slightly more.  The rest goes to some other questionable accounts (publishers, labels, promoters, unions, etc.).  With the internet, there is no reason artists need major labels to get a large audience unless they want to be quickly throw into the spotlight and get tons of radio play.  If your music is good, you can go indie and still get a good-sized audience and sometimes even make a living off it.  There’s a lot to be said about word of mouth and grass roots marketing of music.

Anyway, if you have any interest in the music industry, this article is a major eye opener.  I found it on Slashdot.

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Eat your heart out American Idol… Here’s PC Idol!

Last week, I learned of PC Idol, Providence College’s own rendition of American Idol. One of my student employees, Jenny Mackintosh is performing, and doing quite well if I may say so myself. She’s got an amazing voice and totally kicks ass. So vote for Jenny to continue on. One vote per MAC address is allowed.

Here are Jenny’s videos from Round 1 and Round 2. Vote for Jenny to continue to Round 3.

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